“…by putting the motives from the tombstones into the contest of geometrical formulations of the surface of canvas, Zdravko Anic has, in a way, approached complex poetics of postmodernism. He is leading this principle in a series of his painting, and that is revealing us another characteristic of artist’s creature procedure: his thought is developing in wide spectrum of cycles, building different artistic eulogies without their confined postulations…”
(Vojislav Vujanovic)

“…Anic’s reinterpreted little plastic, monumental inheritance, special totems and marks of ancestors, calligraphy that can only be decoded by rich history, and exactly there an artist tale of fine arts…”
(Igor Brešan)